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Naslov:
Our HospitalityGodina:
1923Žanr:
komedija, ljubavni, trilerTrajanje:
65 minRežija:
Buster Keaton, John G. BlystoneScenario:
Clyde Bruckman, Jean C. Havez, Joseph A. MitchellGlavne uloge:
Buster Keaton > Willie McKay - 21 Years Old
Kitty Bradbury > The Aunt
Francis X. Bushman Jr. > Canfield's 1st Son (as Ralph Bushman)
Monte Collins > The Parson
Buster Keaton Jr. > Willie McKay - 1 Year Old
Joe Keaton > The Engineer
Joe Roberts > Joseph Canfield
Natalie Talmadge > The Girl
Craig Ward > Canfield's 2nd Son
Opis:
After her husband John McKay is killed in an ongoing feud with the Canfield family, a woman takes her baby boy Willie to her sister's house in New York hoping he will never know of the feud with the Canfields. Twenty years later Willie is a grown man and he receives a letter saying he has inherited his father's estate and must travel to his family home to take possession. On the train there he meets a beautiful young woman and falls in love only to learn that she's a Canfield. He accepts her invitation to dinner and quickly realizes that the Canfield men won't kill him while he's in their home. His plan to stay there as a permanent guest is short-lived and the Canfields are soon after him.
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eXtreme member
17.12.2011. 14:30
Režija : John G. Blystone, Buster Keaton
Produkcija : Joseph M. Schenck
Scenarij : Clyde Bruckman, Jean C. Havez
Kamera : Gordon Jennings, Elgin Lessley
Uloge : Buster Keaton, Joe Roberts, Katty Brandbury ...
Willy McKay (Buster Keaton) je nevinašce od dvadeset i nešto godina koje je odraslo u New Yorku, ali se vraća u grad svoje obitelji, gdje ga udvaranje djevojci koju je susreo putem i koja je slučajno kći klana koji se još uvijek zaklinje da će proliti njegovu krv, dovodi u smrtnu opasnost, premda južnjačko gostoprimstvo zahtjeva da ga neprijatelji pristojno tretiraju dok je u njihovu domu.
Veliki dio komike proizilazi iz mračno ironične situacije u kojoj Willie odlučuje ostati gost u kući svojih potencijalnih ubojica, dok ga oni sa smiješkom nastojati da ode.
Keatonova duhovitost ne oslanja se na pojedinačne gegove, već i na čvrsto baratanje likom, nevoljom, vremenom, mjestom, kadriranjem ,a rezultrat je višwe nego smiješan,sadržajno napet film...