Dharmaga tongjoguro kan kkadalgun

Film

drama (1989)

Dharmaga tongjoguro kan kkadalgun

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Dharmaga tongjoguro kan kkadalgun

Naslov:

Dharmaga tongjoguro kan kkadalgun

Godina:

1989

Žanr:

drama

Trajanje:

137 min

Režija:

Yong-Kyun Bae

Scenario:

Yong-Kyun Bae


Glavne uloge:


Hae-Jin Huang
  >  Hae-jin
Su-Myong Ko
  >  Abbot
Yi Pan-Yong
  >  Hye-gok
Sin Won-Sop
  >  Ki-bong
Byeong-hui Yun
  >  Ki-bong's mother
Hui-yeong Kim
  >  The Other Disciple

Opis:


Three people live in a remote Buddhist monastery near Mount Chonan: Hyegok, the old master; Yong Nan, a young man who has left his extended family in the city to seek enlightenment - Hyegok calls him Kibong!; and, an orphan lad Haejin, whom Hyegok has brought to the monastery to raise as a monk. The story is mostly Yong Nan's, told in flashbacks: how he came to the monastery, his brief return to the city, his vacillation between the turbulence of the world and his hope to overcome passions and escape the idea of self. We also see Hyegok as a teacher, a protector, and a father figure, and we watch Haejin make his way as a curious and nearly self-sufficient child.
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  • bojan969
    Administrator
    21.03.2013. 21:38
    Why Has Bodhi-Dharma Left for the East?: A Zen Fable (1989)
    Dharmaga tongjoguro kan kkadalgun (originalni naslov)




    Žanr: Drama
    Trajanje: 137 min
    Država: Južna Koreja
    Jezik: Korejski

    Režija i scenario: Yong-Kyun Bae


    Uloge:

    Yi Pan-Yong ... Hye-gok
    Sin Won-Sop ... Ki-bong
    Hae-Jin Huang ... Hae-jin
    Su-Myong Ko ... opat
    Byeong-hui Yun ... Ki-bongova majka


    [TUBE]http://www.youtube.com/watch?v=glgRZgbueVs[/TUBE]

    Troje ljudi živi u udaljenom budističkom manastiru: stari majstor Hyegok, mladić koji je napustio porodicu kako bi pronašao
    prosvetljenje Yong Nan i siroče Haejin, kojeg je stari majstor doveo da bi ga odgojio kao monaha.
    Priču u flešbekovima priča uglavnom Yong Nan: kako je došao u manastir, o kratkom povratku u grad, o njegovim kolebanjima 
    između života u svetu i njegovim nadanjima da će prevladati strasti.
    Vidimo Hyegoka kao učitelja, zaštitnika i očinsku figuru i malog Haejina koji se razvija u radoznalo i samodovoljno dete.
    Meditativni film koji se bavi budističkim pogledom na svet, i uobičajenim pitanjima: Tko sam ja, zašto sam ovde i koji je smisao života?

    Bae je snimao film sedam godina sa jednom kamerom i ručno ga montirao.  Nagrade.
     



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