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Opis:
Hiroshi Teshigahara's camera takes us over, under, around, and into buildings and a park designed by Antonio Gaudí (1852 - 1926), Catalan architect, ceramist, and sculptor. Teshigahara suggests the influence of Romanesque churches and monasteries on Gaudí and the influence of the caves and crags of Montserrat, close to Barcelona. Every line of Gaudí's seems curved, and no surface is without textures. With little narration, the film takes us through Casa Vicens, projects for the industrialist Güell (including the Crypt of the Colonia Güell and Park Güell), Casa Batlló, Casa Mila, and Barcelona's landmark, the unfinished Templo de La Sagrada Familia.
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Suna no onna (1964)
drama, triler
Boraveći u udaljenu primorskom selu u potrazi za kukcima, tokijski entomolog propusti posljednji autobus pa mu seljani odluče pomoći pronaći smještaj kod mlade udovice koja živi u trošnoj kolibi na...
Tanin no kao (1966)
drama, naučna fantastika, horor
Iako su nadrealni aspekti "Tuđeg lica", zbog implementiranja znanstveno-fantastičnih elemenata u temeljni zaplet filma, bili daleko razumljiviji nego kod prethodnih Teshigaharinih projekata, u...
Onibaba (1964)
horor
After being forcefully inducted as a soldier into war in 14th century Japan, his wife and mother remain living in a swamp. They eke out their living by ambushing worn-out warriors, killing them and...
Otoshiana (1962)
drama, kriminalistički, fantazija
A documentary fantasy. Penniless miners talk in passing about labor unions. A miner and his young son go to a village in Kyushu where the miner has been told he'll find work, but it's a ghost town...
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